If there is something that David Cronenberg really succeeds in, it is to frighten the public with terrifying and off-putting images whose goosebumps run through the back and which remain engraved in the memory long after the credits. Whether it’s typewriter tacks in “The Naked Dinner”, heartbreaking explosions in “Scanners”, pistols labeled “existential” or an action in a bath in “Eastern Promises”, the Canadian director has earned a reputation as the godfather of everything sinister and the main character of North America. meat surgeon.

After an eight-year vacation, Cronenberg is back on everyone’s lips after his recent release of Crime of the future, a film that is a kind of return to the form of the king of body horror. As a result of this extremely exciting event, we decided to collect ten movie recommendations, from which any Cronenberg Fan will surely be relieved.

1. Bbw Mistress (2021)

First of all, we turn to Julie Ducourneau, a French director considered in recent years as the spiritual successor of the Canadian himself. Made largely from the same paste as Cronenberg’s meaty catalog, his scorching Palme d’or has baffled many critics precisely because it reflects the automotive perversity first seen in The Crash in 1996. “Titan” takes us through the agony on a two-hour roller coaster full of adventures, where gender, family and grief issues are addressed in the most unexpected ways.

Viggo Mortensen – a frequent collaborator of Cronenberg-fueled the controversy at this year’s Cannes Film Festival, calling “Titan” a superficial surprise. Fortunately, the Canadian author quickly buried the hatchet, congratulating Ducourneau on his Palme d’or and saying that his victory was a long-awaited surprise and a real breakthrough for the Festival. “I really liked the Movie,” the director said. “She has a really strong visual style and a sense of the Crazy, the extreme.”Regarding the similarities between her works, Cronenberg argued that her influence mainly serves to “reveal her own sensibility as a unique director”.

2. Don’t look now (1973)

I wonder if someone like Cronenberg, who was the mastermind behind some of the most gruesome horror movies to ever grace a movie screen, would be interested in any movie? When asked about the scariest film he remembers, the Canadian did not hesitate to quote Nicolas Roeg’s classic Venetian thriller. “It was a film that really baffled me, I was very impressed by it,” the director said. A man of many passions who found his true vocation only in middle age, Cronenberg admits that he was fascinated by Roeg, who worked as a filmmaker long before he sat in the director’s chair.

Like the Canadian’s work, Don’t Look Now is a film that keeps its cards to itself before showing its true colors as a poignant reflection on the expired and the human condition. “It’s a very strange film, a lot about passed away, but at first you don’t realize that it’s really a subject, it’s really a love story. More recently, someone said: “Call me a Movie that is one of your Favorites”, which is very difficult because there are hundreds of movies that I like, but I said: “Don’t watch now”.

3. The Time of the Wolf (1966)

Born and raised in Toronto, unfamiliar with art cinema, Cronenberg mentions that his initial influence was mainly literary — that is, until the appearance of personalities such as Fellini, Truffaut, Godard and Bergman in the sixties. The latter is cited as one of the touchstones of his cinematographic training, which he considered an example of what the director should be. “Nowadays we often call the films Of Other directors “Bergman”. Can many of today’s filmmakers say the same thing?”

Although his first meeting with the Swedish champion took place through his father at the seventh Seal, this is another existential drama from his bedroom, the Wolf Hour, which the Canadian himself chose when he made the Niff All 2018 List. “It was a beautiful film that was very much like a nightmare.”The film has an unlikely connection with Cronenberg the Fly, which inspired a scene where Jeff Goldblum’s character climbs walls and ceilings. “I remember seeing a similar scene in that Movie that was done so simply but very efficiently.”

4. the HINE (1995)

Often considered one of the greatest French films of all time, “la HINE” is an austere portrait of life in the Parisian suburbs, exploring with uncompromising authenticity interracial relationships, youth frustration and the cyclical nature of roughness. The film took the world by storm and made the name known thanks to its charismatic actor Vincent Cassel, who plays a short-tempered but attractive Jewish immigrant with constant support on his shoulder.

Over the following decades, Cassel continued to work under the aegis of American Studios, achieving inconsistent results so far. Highlights include David Cronenberg’s Eastern Promises, an impressive trip that is still considered the highlight of his career abroad. Cronenberg praised his double collaborator in a recent interview, praising his “fantastic emotional depth and intelligence”. Fortunately, it seems that we don’t have to wait too long before they team up for the third time, and Cassel would join the Star as host of the Savannahs project recently announced by Cronenberg.

5. the incredible man (1957)

Simplicity is the highest level of sophistication. This statement applies as much to Cronenberg’s many fundamental works as to this cult classic from the Cold War era. After being exposed to a peril radiation cloud during a boat ride, Scott Carey, a resident of the suburbs, discovers that he has inexplicably lost weight by a few centimeters. Throughout the story, his striking decline continues until he is small enough to fit in a teacup, forcing him to fend for himself in a network of deadly traps, including, but not limited to, his cat, his mousetrap and the terrible tarantula he experienced during the climax of the film.

The incredible Shrinking Man uses a basic premise and inventive optical effects as the basis for an exciting treatise on The Atomic Age-paranoia, bodily horrors and existential fear reaching cosmic proportions. The fact that Cronenberg is interested in this Kafkian adaptation-if not in Proto-Cronenberg-hardly causes surprise. The Canadian included it in his curated list of films that inspired him at the 18th Neuchâtel Fantasy Film Festival.

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